![]() ![]() “They bang up prisoners in these miserable places,” he says. ![]() Ten years ago, Alsop made a project with organisation Rideout (Creative Arts for Rehabilitation), a company that promotes the arts within the penal system, and found all manner of spirit-crushing detail: beds just 6ft long, lavatories in cells two feet away from the bed. But she is not optimistic, and nor is architect Will Alsop of aLL Design. Maybe the nine prisons-to-be will be akin to Jewkes' desire for an “architecture of hope”. In a recent paper, Designing Punishment: Balancing security, creativity and humanity in contemporary correctional systems, Jewkes wrote that “prisons send a clear message about punishment from the 'carefully scripted' construction of their façades” and that the new “bland, corporate-looking” prisons have no architect engagement with their “clients” or if you prefer, end users. But Yvonne Jewkes, professor of criminology at the University of Leicester, thinks that despite such humanising appurtenances, these edifices are more akin to the “Amazon warehouse” typology, hardly “cutting-edge architecture”, more a container model imported from the US: bland and technocratic, with a smell of fear and an assembly-line ethos.
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